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After two sold out events last year, ‘Junction 2: Inner City’ is set to take over iconic London hotspots Tobacco Dock and fabric this August Bank Holiday (full line-up below). Organisers have once again put together a specially curated line-up, with around 40 acts set to deliver the very best in underground dance music and […] The post Junction 2: Inner City set to take over Tobacco Dock & fabric this August Bank Holiday appeared first on The DJ...
After two sold out events last year, ‘Junction 2: Inner City’ is set to take over iconic London hotspots Tobacco Dock and fabric this August Bank Holiday (full line-up below).
Organisers have once again put together a specially curated line-up, with around 40 acts set to deliver the very best in underground dance music and techno. Whilst the festival is much more than just a line-up, the recently released list includes the likes of Adam Beyer, Maceo Plex, ANNA, Ben Klock, Patrick Mason, Amelie Lens, Helena Hauff and others.
The 2-day (almost non-stop) rave is scheduled for Saturday 27th & Sunday 28th August 2022, with proceedings kicking off at the 6000 capacity East London warehouse Tobacco Dock during the day, before heading to fabric at night.
Underground dance fans can no doubt expect the kind of impressive production and awesome sound we’ve come to expect from Junction 2!
The evening line-up for fabric is coming soon, with organizers promising some special B2B sets. Check out the full Tobacco Dock line-up below:
Adam Beyer | Adriatique | Anfisa Letyago | ANNA | Agwea | Dasha Rush | DJ Stingray 313 | Fideles | Gabber Eleganza | Isaac Carter | JADALAREIGN | JASSS | Kiimi | Layla Benitez | Maceo Plex | Sama’ Abdulhadi | Wax Wings
Airod | Amelie Lens | Anna Unusyan | Ben Klock | Clara Cuvé | Daria Kolosova | Dax J | Emerald | Etapp Kyle | Héctor Oaks | Helena Hauff | Heléna Star | IMOGEN | Karenn (Live) | Kobosil | KT | Malaika | MARRØN | Patrick Mason | Uakoz | Vanessa Maria
Tickets are sold separately for Saturday & Sunday, either ‘by day’ for Tobacco Dock or ‘by night’ for fabric. Head over to Junction 2’s website for more information.
Where: Tobacco Dock & fabric, London
When: Saturday 27th & Sunday 28th August 2022 (Bank Holiday Weekend)
Tobacco Dock 12:00 – 22:30
fabric 23:00 – 07:00
Don’t forget to check out other upcoming dance & electronic music festivals in the UK via our UK Festivals feed. Image credit: Junction 2 Festival.
The post Junction 2: Inner City set to take over Tobacco Dock & fabric this August Bank Holiday appeared first on The DJ Revolution.
With tickets still remaining, it could be your last chance to get on board for the 2022 edition of Glitch Festival this August... The post Last chance to get on board for Glitch Festival’s 5th edition this summer appeared first on The DJ...
With limited tickets remaining as we write this, it could be your last chance to get on board for Glitch Festival’s 5th edition this August. The 4-day house & techno party is once again taking place at Gianpula Village in Mdina, on the stunning Mediterranean Island of Malta.
From rooftop pool parties, secret cave raves, boat parties and an intimate Boiler Room stage, the venue is a self-proclaimed “house and techno fortress”.
Lucky festival-goers can also explore the rest of the island, with its stunning beaches, cultural ruins and other historical towns such as Valletta.
The 2022 edition will feature 65 artists performing across 7 different stages (full lineup below), with confirmed names including Amelie Lens, Ben Klock, Honey Dijon, Nina Kraviz, Palms Trax, Daniel Avery B2B HAAi and Ben UFO.
On the last day, things are wrapped up with a boat-party finale along the picturesque coastline.
At the time of writing, tier 2 festival tickets were on sale priced at €79.90. Day passes and ‘party add-ons’ were also available.
The Festival will be held at Gianpula Village, located against the iconic skyline of Malta’s fortified city, Mdina from 13 to 16 August 2022. The previous edition was back in 2019.
As announced back in May.
Don’t forget to check out other upcoming dance & electronic music festivals in Europe via our European festivals feed. Images credit: Glitch Festival.
The post Last chance to get on board for Glitch Festival’s 5th edition this summer appeared first on The DJ Revolution.
Carl Cox has announced the release date for his upcoming 5th album - 'Electronic Generations'. Listen to new tracks inside! The post Carl Cox announces release date for new album, ‘Electronic Generations’ appeared first on The DJ Revolution.
Legendary British DJ, Carl Cox has announced the release date for his upcoming 5th album.
Set to land on September 16th, ‘Electronic Generations’ will be his first album in more than a decade, with his last album, ‘All Roads Lead To The Dancefloor’ released on Intec Digital back in 2011.
The new 17-track album features collaborations with Nicole Moudaber, Fatboy Slim, and Juan Atkins – with two of the tracks already having been released (listen below).
Coxy had this to say:
”As a live artist and a DJ I get to play all over the world and to see people enjoying the shared experience of being together and dancing”
I’ve pulled together all the elements that I’ve learned from watching those crowds, added my sound and tried to bring you a true electronic music experience.”
The techno banger ‘How It Makes You Feel’ in collaboration with Nicole Moudaber is the second track to drop (released on June 10th) following ‘Speed Trials On Acid’ in collaboration with Fatboy Slim from back in April. Both tracks are available on Beatport.
Carl Cox – How It Makes You Feel
Carl Cox – Speed Trials On Acid (feat. Dan Diamond)
Electronic Generations full tracklist:
1. Electronic Generations (El Rancho Mix)
2. How It Makes You Feel
3. Our Time Will Come
4. Heads Up
5. Toys Out Of The Pram
6. Bring It Back
7. Deep Space X
9. Keep The Pressure On
10. Get After It
11. Line Lock
12. World Gone Mad
13. Speed Trials On Acid
14. Move The Crowd
15. Apollo Beings
16. See The Sun Rising
17. Electronic Generations Reprise
Having been around since the birth of acid house in the late 80s, Carl Cox is still one of the most hard-working DJ-producers in dance music. During his 30+ year career, he’s released an impressive 4 studio albums, 25 singles, 26 compilation albums and 66 remixes.
Back in August, much to his fans’ delight, Carl also released his much-anticipated autobiography, ‘Oh Yes, Oh Yes!’, which we covered here.
Header image credit: Carl Cox on Facebook
The post Carl Cox announces release date for new album, ‘Electronic Generations’ appeared first on The DJ Revolution.
In this buyer’s guide, we’ll lay out the 7 best turntables for DJs in 2022. As the best DJ turntables on the market, they’re all designed for professional use. The post The 7 Best Turntables for DJs in 2022 (for professional use) appeared first on The DJ...
In this buyer’s guide, we’ll provide a simple overview of the 7 best turntables for DJs in 2022, plus everything you need to make a buying decision.
As the 7 best DJ turntables on the market, specs-wise, they’re all designed for professional use.
If you’re looking for additional resources before we jump in – things like ‘turntable components & definitions’, ‘a brief history of technics’, or ‘the superior sound quality of vinyl argument’ — you’ll find all this at the end!
Estimated reading time: 25 minutes
Contrary to what some people might think, there are still heaps of DJs that use turntables in 2022.
Firstly, you’ve got your scratch/battle DJs – also known as ‘turntablists’. When we think of events like the DMC World DJ Championships, it’s a scene that’s alive and well today. These are the folks that popularized using turntables more like a musical instrument in the early-to-mid-70s., most notably hip hop DJs like Grandmaster Flash.
On top of that, there’s also a healthy collective of special event DJs (mobile DJs), DVS users (digital vinyl system – see our definitions section at the end), and tons of other vinyl enthusiasts that still use turntables.
When you’re shopping for a set of DJ turntables, the main things to consider are the torque (power of the motor) and the actual weight of the turntable.
The higher the level of torque will essentially dictate how quickly the platter resumes its set speed when you let go of it with your hand (it’s ‘start up’ speed), which is integral for beat-matching and scratching.
As for the weight, the heavier the better. This is ESPECIALLY important if you plan to play out with them. Whilst design aspects and build materials are definitely factors, if a turntable is too light, it can cause a number of problems in loud, bass-y environments – such as the needle jumping and feedback issues, etc.
It’s not just about playing out with them, either. Even in the home or studio, the more committed hobbyist would still demand a nice sturdy turntable for optimal performance!
The good news is, these factors are generally more of a concern with cheaper turntables. So, by creating this post (ie only selecting high-end turntables), you can focus more on things like feature set, what its purpose is, value for money – and, dare we say it, which turntable you most like the look of.
Note: The 7 DJ turntables in this post are all direct-drive. We explain the difference between belt-drive and direct-drive in our definitions section at the end.
First up, we have Pioneer DJ‘s flagship DJ turntable, the PLX-1000. It was released in late 2014, only 4 years after the discontinuing of Technics’ SL1200 and SL1210 range. Obviously Pioneer were striving to make the PLX-1000 the market-leading turntable, and they did a pretty good job!
The layout of the PLX-1000 inherits the simplicity of that iconic Technic SL 1200. That is to say: there are no ‘bells & whistles’ on the unit, and it sells itself on build quality and overall reliability!
With a weight of 14.6kg (it’s very heavy, which is good), the PLX-1000 also utilizes lots of dampening design features and build materials, so it’s excellent at sound isolation; thus preventing unwanted vibrations and maximising sound quality.
The torque specs are also one of the best in the industry, with the platter speed reaching 33⅓ rpm in approximately 0.3 seconds. Round the back of the unit, all the power & audio cables are detachable, which is very handy if something needs replacing – something you wouldn’t always get with older turntables in years gone by.
In summary: in addition to its solid construction, everything feels high quality on the PLX-1000, and it really looks the part as well, with its nice brushed metal finish. As I’m sure you’re curious about, it’s OBVIOUSLY in direct competition with the Technics SL-1210 MK7 that we’re about to cover. And with no real feature differences worth mentioning, all we’ll say is this:
Having had numerous first-hand accounts from the owners of both of these units, the overall quality, feel, and usability of the PLX-1000 is no doubt on par with the Technics in our humble opinion. Also, the PLX-1000s are about 300 dollars (US, per turntable) cheaper than the Technics, so take that as you will.
Any vinyl DJ or audiophile looking for a reliable turntable that does all the basics really well without any ‘bells & whistles’ (one that doesn’t necessarily have their heart set on getting Technics). Also venue owners and club installers.
$700 USD | €700 Euro | £700 GBP | $1,300 AUD.
Power cord | Audio cable | Ground wire| Adapter for EP record | Turntable sheet | Slipmat | Dust cover| Head shell | Balance, sub and shell weights.
Released in 2019, the SL-1210 MK7s were the first (and are the only) DJ-focussed turntable Technics has released since their relaunch back in 2016.
For a quick overview of the history of Technics, head down to the bottom of this post.
If you’re familiar with, or have owned a set of Technics in the past, you’ll feel right at home with these MK7s. As well as having that classic minimalist layout, everything looks & feels just like the MK2s that were originally released in 1978.
What’s new on the MK7’s? Well, if we compare it to the original MK2s: In addition to the new-and-improved build-materials, there’s also a new coreless direct-drive motor, Reverse Play functionality, and a reset button next to the pitch control. More significantly, they also have detachable phono and power cables round the back, which is much better if something needs replacing. Apart from that, the unit is very similar – in all the right ways!
So, you may be wondering why the MK7s are not first on our list?! Well, firstly, the one spec that we can’t ignore is the weight. The MK7s are the lightest turntable on this list (varying between 15 – 30% lighter), and are also 20% lighter than the original MK2s – so they’re probably not the best option when it comes to isolating in loud, bass-heavy environments such as clubs & festivals, etc. In the same breath, it’s really not a concern if you only plan to use them at home or for house parties – which, let’s be honest, will probably be most people reading this!
The MK7s are also the most expensive on this list (by at least 30% depending on which turntable) and are a little light on features in comparison (as are Pioneer’s PLX-1000). Despite these considerations, owning a set of Technics was never about having the most features or being competitively priced – rather, it was about the solid build quality, reliability and status that they represented. And, by all accounts, all of those boxes have been ticked with the MK7s.
With that said, if you’re looking for the ultimate iconic piece of DJ kit in your bedroom or studio, we’d recommend these in a heartbeat!
Model versions explained: The SL-1210 MK7 is the original matte black version sold in the European region. If you’re buying it from the US or Asia, it’s called the SL-1200 MK7. The silver version is then referred to as the SL-1200 MK7 in Europe and the SL-1200 MK7S in the US and Asia. Specs-wise, they’re all the same turntable.
Any vinyl DJ (including scratch DJs) or audiophile that wants a reliable turntable that does all the basics really well. The MK7s would also make the PERFECT gift for a DJ that’s considering mixing again and ideally already has records.
$1,000 USD | €1,000 Euro | £900 GBP | $1,600 AUD.
Slipmat | Slipsheet | Dust covers (plastic lids) | EP record adaptor | Counterweight for tonearm | Head shell | screw set for cartridge | Phono cable and earth lead | AC power supply cord.
Next up, we have the Reloop 7000 MK2. It was originally released to market in late 2017. This is another premium DJ turntable that models itself on the simplicity of a Technics SL-1200, again focusing on build quality and reliability. Visually, it also looks great – with a nice, metallic finish and back-lit buttons!
With its reinforced metal construction, the 7000 MK2 is extremely well built (it’s nice & heavy), with plenty of sound-isolating properties and features, such as the new, low-resonance S-shaped tonearm and rubber-lined platter, for example. With regards to start-up speed (torque), the 7000 MK2s also has a slightly improved motor compared to the previous model, so definitely no complaints there.
Setting themselves aside from the market leaders, Reloop has included some additional features, such as the torque and brake adjust controls, and also a second start/stop button for vertical positioning (as preferred by many scratch/battle DJs). Notably, they also have detachable mains and RCA cables around the back.
Once again, if you’re looking for a reliable DJ turntable that gets all the basics right – same as the offerings from Pioneer DJ and Technics – except this time with the added bonus of additional features, and at a slightly cheaper price point (when compared to the PLX-1000), then these babies will do you just fine!
Any vinyl and/or scratch DJ that isn’t necessarily loyal to Technics or Pioneer; one that’s perhaps more interested in value for money over brand. Also venue owners and club installers.
$600 USD | €600 Euro | £500 GBP | $850 AUD.
Slipmat | LED needle light | Counterweight | Phono RCA cable with grounding | Power cord.
Following on nicely, we have the RP-8000 MK2 from Reloop. As far as the build is concerned, it’s exactly the same turntable as the 7000 MK2 we’ve just covered. As a ‘hybrid’ DJ turntable, it has built-in features that communicate with DJ software (mainly the performance pads), allowing for much more creative capability than a regular analogue turntable when integrated with a Digital Vinyl System., and with DJ software.
See our full DVS definition at the bottom of this article.
Targeted mostly at DVS users and scratch DJs that use Serato, the RP-8000 MK2 has a ton of cool features. If we focus on what the Reloop 7000 MK2 DOESN’T have (No.3), you’ll straight away notice the 8 large RGB performance pads on the left side of the unit (unless you had it in ‘battle mode’, in which case they’d be at the bottom). These control 7 different modes: Cue, Sampler, Saved Loops, Pitch Play, Loop, Loop Roll and Slicer – and can also be custom assigned.
Another notable difference between its analogue counterpart, is the high-quality LCD display located above the pitch fader. This can conveniently show the Pitch, BPM, time remaining, and deck assignment, etc., thus reducing the time spent looking at your laptop; whilst also making beat-matching easier compared to an analogue setup without one! Furthermore, you can use the multi-encoder to browse tracks directly from the turntable itself, loading them straight onto the respective deck, as you typically would on a digital setup.
Whilst there are too many features to list in this overview, there’s also a Pitch bending function in ‘Platter Play mode’; not to mention a Smart USB Connection at the back of the unit – allowing 4 turntables to be linked up via a single USB port.
To quickly summarize: because of its enhanced digital application, it smashes the competition when it comes to feature set, offering unrivaled creative possibilities for performance DJs that use turntables. It’s touted as more of a ‘’musical instrument’’ by Reloop.
One thing is for sure, the RP-8000 MK2 definitely leads the way from an innovation standpoint in the market for the best ‘hybrid’ DJ turntable. And for $800 US (each), you’re getting a lot for your money, as well.
Note: whilst it’s mostly designed to work with Serato DJ Pro, the unit also works with ‘’most major DJ software’’ according to Reloop, although we don’t have any reference points on how well.
Primarily DVS users and/or scratch DJs that use Serato DJ Pro. Also, any DJ looking to move to a DVS setup; one that wants the authentic feel of vinyl mixing with the enhanced capability and conveniences that you’d typically only get when using DJ software on a DJ controller.
$800 USD | €800 Euro | £500 GBP | $1,200 AUD.
Slipmat | LED needle light | Counterweight | Phono RCA cable with grounding | USB cable | Power cord.
Next up we have the AT-LP1240-USB-XP from Audio-Technica (updated in 2018 from the original 2012 model). As well as being a professional DJ turntable it’s also targeted at audiophiles for general listening. Its most relevant competition from a buyer’s perspective is probably the Reloop 7000 MK2 (No.3 on this list). As the price is very similar to the Reloop, there are a couple of things to consider:
Firstly, we should say that everything on the AT-LP1240-USB-XP has a nice premium feel to it. It’s well built and has plenty of anti-resonance/dampening design features. Furthermore, it’s nice & heavy and has plenty of torque – all necessary for producing a quality sound output, and for professional use.
As well as the option for 3 speeds (33/45/78 RPM), some key features include a quartz pitch lock, pitch range buttons, a reverse button, and individual start/stop speed adjustment knobs. In addition, there’s also a second start/stop button at the top of the unit for vertical positioning (for ‘battle mode’).
Unlike the first 3 contenders on this list (the analogue units), the Audio-Technica has a USB port in case you wanted to convert your record to digital format, which might be a big selling point for some. Not only that, it comes with everything you need out-of-the-box., more specifically the cartridge & stylus (or headshell) – which you’d have to buy separately with the Reloop 7000 MK2.
Make no mistake, this is another cracking turntable. It’s got tons of great reviews from both DJs and audiophiles alike.
Any DJ or music lover wanting a high-quality, capable DJ turntable; one that might also be used for casual listening. Also any DJ looking to convert their vinyl collection to digital.
$600 USD | €600 Euro | £500 GBP | $850 AUD.
Slipmat | Dust cover (plastic lids) | Platter; 45 RPM adapter | Counterweight; AT-XP5 DJ phono cartridge; AT-HS1 headshell | Power cord | USB cable; dual RCA (male) cable with integrated ground wire; stylus target light.
Only a handful of places seem to stock them. Try these handy links:
Released in 2017, this is the VL12 Prime from Denon DJ. When we checked, literally ALL of the online retailers either didn’t carry it or had discontinued it, so we’ll keep this short:
With a focus on attention to detail, it’s an extremely well-built turntable that provides all-round excellent sound isolation (see full specs below). It’s perhaps best suited to advocates of Denon’s Prime gear, or a DJ looking to add to their existing Denon setup; especially Battle DJs, as it’s a great turntable for scratching.
The digital feature set might be considered a bit limited, and unfortunately it doesn’t come with a cartridge/stylus. Due to its lack of availability, we’re not going to recommend this to the general DJ market.
Lastly, released in 2017 to replace the original STR8.150, we have the STR8.150 MKII from Stanton. It’s targeted at scratch DJs… hence the straight tonearm, which many turntablists prefer.
Once again, literally ALL of the online retailers either didn’t carry it or had discontinued it when we checked, so we’re not recommending it to the ‘general’ DJ market, as such.
To touch on it quickly: the STR8.150 MKII is built like a tank, with plenty of isolation features that promote low resonance and great sound. With 3 different speeds (33, 45 & 78; + Reverse), additional scratch-DJ-orientated features include adjustable brake speed and selectable pitch controls (up to 50%).
To eliminate any possible confusion, the ‘’ST.150 M2’’ is the same turntable, just with an S-shaped tonearm instead of a straight one. As is pretty standard, you’ll need to get your cartridges separately. And there’s no USB port. Expect to pay around $600 each per turntable.
Visit the manufacturer’s product page here.
Whilst it’s not part of our official list; consider it more of an ‘FYI…
Targeted specifically at Battle DJs, the Rane Twelve is essentially a DJ controller that emulates a turntable experience. That is: it’s 100% digital, and unlike the Reloop RP-8000 MK2, you can’t play regular vinyl on it.
Just to recap, these were our 7 best turntables for DJs in 2022…
Made by Japanese company Panasonic, the iconic Technics ‘SL-1200’ series of DJ turntables originally began manufacturing in October 1972. It was this series that would become famous for utilizing the direct-drive technology which the company patented a few years earlier.
Most notably, the SL-1200 MK2 model released in 1978, and its successors, dominated as the ‘’industry standard’’ DJ turntable for the best part of three decades before eventually getting discontinued in 2010. Whilst there were other decent brands on the market over that time – think Vestax, Numark and Stanton – Technics’ reputation for making reliable ‘workhorse’ turntables was mostly unchallenged.
As we jump into modern day, Technics relaunched in 2016, releasing models such as the Grand Class SL-1200GR. Spanning a couple of years, the various models were generally targeted at audiophiles rather than working DJs, and they all carried a premium (or ‘’collectables’’) price tag.
Finally in 2019, the first DJ-focussed model was released to market at a sensible price point…which is the ‘MK7’ model we cover in this post.
Many audiophiles, DJs, and other vinyl enthusiasts swear by the superior sound quality that many of us would associate with vinyl. At least when compared to a compressed digital audio files like an MP3, or when listening to your favourite streaming platform, for example.
You’ll typically get conflicting information if you research this online. But what are the facts?
Firstly, vinyl is the only true lossless audio format. This basically means that you’re hearing a truer representation of the original recording as the producer intended in the studio. Because of this, based on this compression argument alone, you WOULD get a ‘’better’’ sound compared to an MP3, or any other digital file.
When it comes to CDs, they sit somewhere in the middle of this ‘lossless’ audio principle when compared to digital formats and vinyl.
It’s not just an open-and-shut case here, though. Many modern vinyl records are cut from digital masters, so it’s not a pure analogue signal. Meaning the initial ‘compression’ argument no longer applies in this instance.
Separately, if we’re talking purely about ‘’how it sounds’’, vinyl would always sound completely unique compared to other formats – when we consider the authentic ‘crackles’ and other surface noise that many people like – although these things are all subjective and don’t necessarily make the sound quality ‘’better’’.
Other things to factor into the overall argument would be the quality of the vinyl pressing itself (which isn’t always the best), and also the wear & tear of a physical record, ie scratches etc., and its deterioration over time.
You need direct-drive turntables to DJ on. Whilst belt-drive models will suffice for a ‘consumer turntable’, the torque is belt operated, and nowhere near powerful enough to beat-match or scratch with.
With direct-drive turntables, the platter is connected to the motor directly through the spindle. In this instance, the platters start-up speed (torque) would be much quicker – say, for example, if you’d manipulated it with your hand.
Certainly for beginners, and fresh-faced digital DJs, you can be forgiven if you don’t fully understand what ‘’DVS’’ is as it refers to mixing on turntables.
In plain English, it’s a technology that allows you to mix digital music files on your turntables. It’s made possible with a unique ‘’timecode disc’’ (a vinyl record), which communicates through a DVS interface (typically a small box with audio inputs and outputs) to your DJ software on your laptop.
Note: you can also use a DVS system if you own older CDJs that take CDs. In this instance, instead of a unique vinyl record with timecode on it, you’ll get a CD.
One of the major attractions of having a DVS setup is that you can preserve the authenticity of DJ’ing on turntables but without the need to maintain a clunky vinyl collection. Simply put: a digital music collection mixed on turntables.
Some of the key manufacturers that offer DVS products are Serato, Traktor (Native Instruments) and Pioneer DJ.
In case you’re new to DJ turntables, here are a couple of the basic components explained:
The tonearm is the long stainless steel tube (or ‘arm’) that pivots, carrying the cartridge & stylus at the vinyl end. The counterweight then screws on the other end of the tonearm and can be easily adjusted to apply more or less pressure on the vinyl at the other end. For general mixing purposes, you’d at least want enough pressure so that the needle won’t jump off the record.
The cartridge is the detachable head (or ‘’head shell’’) that connects to the vinyl end of the tonearm. The stylus is technically the diamond tip on the end of the needle within the cartridge, although most people simply refer to the needle itself as the stylus. The stylus is what runs through the grooves of the vinyl in order to transmit the sound.
Affiliate Disclosure: To help fund the website, some of the links in this post are affiliate links, which means if you choose to make a purchase we’ll make a small commission from it. It’s important to mention that this NEVER costs you any extra as a result. The DJ Revolution team.
Credit: Header image: Kevin Horstmann on Unsplash.
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The team at Defected have released the lineup for the inaugural edition of Defected Malta this October. All ticket & travel info inside! The post Defected drops lineup for first edition of ‘Defected Malta’, tickets now on sale appeared first on The DJ...
The team at Defected have recently released the lineup for the inaugural edition of Defected Malta.
Kicking off on Friday 7th October 2022 for a long weekend of parties (3 days & 2 nights), expect a jam-packed schedule of club shows, boat parties and events at unique off-the-grid locations, with stages curated by Defected, Glitterbox, Classic Music Company, Sondela and 4 To The Floor.
As we’ve come to expect from the UK house label, the lineup is second-to-none. Over 50 DJs are scheduled to play, with headliners including Basement Jaxx (DJ set), Carl Craig, David Morales, Eats Everything, Gorgon City, Groove Armada (DJ set) and Kerri Chandler.
More announcements are coming soon regarding boat parties and additional events around the island.
Note: this video is from January and some of the smaller details have changed.
Defected Malta 2022 will take place from 7 – 9 October @ St Paul’s Bay in Malta.
If you can’t find what you’re looking for – particularly for any cheap flights to Malta – also try Skyscanner. The total ticket allocation for this event is approximately 4000. For more information, visit Defected’s website here.
Simon Dunmore’s Defected is the great success story of UK dance music. For 20+ years, it’s been dedicated to the finest in house, from its label and numerous associated imprints, to its events and festivals.
After a decade working in club promotions and A&R for the majors, he founded Defected Records on 1 January, 1999. The plan was to establish the UK’s answer to Mark Finkelstein and Gladys Pizarro’s legendary New York imprint Strictly Rhythm. You could say that he has achieved that.
Thanks to Dunmore’s keen A&R savvy, which has over the years secured releases and forged enduring friendships with Masters At Work, Bob Sinclar, Dennis Ferrer, Roger Sanchez, Kevin Saunderson and Todd Terry, Defected has made an indelible imprint on British dance music.
To Be In Love’; ‘At Night’; ‘Finally’; ‘Another Chance’: all tracks knowable by name alone. To call it the most influential UK house label of all time would be entirely acceptable.
Blurb taken from their website.
Don’t forget to check out other upcoming dance & electronic music festivals in Europe via our European festivals feed. Images credit: Defected Records.
The post Defected drops lineup for first edition of ‘Defected Malta’, tickets now on sale appeared first on The DJ Revolution.
The Warehouse Project have announced initial dates & lineups for the upcoming 2022 season, starting on Friday 26 August. Full details inside. The post The Warehouse Project reveals first wave of parties for 2022 season appeared first on The DJ...
Organisers of Manchester’s iconic clubbing series The Warehouse Project have announced initial dates for the upcoming 2022 season.
The lineups for the first nine parties have been confirmed, with the first starting on Friday 26 August (details below).
The launch weekend will showcase special ‘opening concerts’ led by Bonobo and Caribou on Friday 26th August, followed by Indie Rock band The National on Saturday 27th August.
In no particular order, some of the confirmed DJs/artists across the different dates include Jamie XX, Eric Prydz, Jeff Mills, Gilles Peterson, Mr Scruff, The Blessed Madonna, Kolsh, Disclosure, Denis Sulta, Chase & Status, Kink, Andy C, Seth Troxler, The Martinez Brothers, Loco Dice, Nightmares On Wax, Enzo Siragusa, Chris Stussy, Jaden Thompson and Joseph Capriati.
The full Warehouse Project season dates & lineups will be announced in the coming weeks.
At the time of writing, tickets have moved to general sale. The 2021 season sold out in record time, so you WILL need to be quick. Here’s the breakdown:
Friday 26th August – Bonobo + Caribou
Details: Opening concert
19:00 – 23:00 | DEPOT MAYFIELD
Saturday 27th August – WHP & AEG Present The National
Details: Opening concert (Indie Rock)
19:00 – 23:00 | DEPOT MAYFIELD
Plus more TBA
Saturday 10th September – Repercussion Festival / Return To The Dancefloor
Jamie xx | Little Simz | Fred Again.. | Jeff Mills
Folamour Power To The PPL AV | Underground Resistance | Goldie Presents Subjective Live
HUNEE | Palms Trax & Call Super | Binker & Moses | A Certain Ratio
Gilles Peterson | Nightmares On Wax | Uncle Waffles | Benji B
SHERELLE | David Rodigan | Leon Vynehall | Nia Archives | Carista
Mr Scruff Presents Keep It Unreal | Luke Una Presents É Soul CulturaSoichi Terada (Live) | Sassy J | Jamz Supernova | Ash Lauryn
Lauren Hansom | Colin Curtis | MYD (DJ) | Habibi Funk | Thristian
Tash LC | Paula Tape | Moktar | Tarzsa | Dance Regular | Jazzcotech
4tothefloor | Krysko + Krysko Snr | Eves’drop Collective
(Andrea Trout, Lil’ Minx, Ruby Swallow & Ellen Beth Abdi)
Levi Love | Mikey Don | Me Gusta Collective | Jim Bane | Joe Motion
Get tickets (Skiddle)
For more details head to repercussion.uk.com.
Friday 16th September – Eric Prydz
20:00 – 03:30 | DEPOT MAYFIELD
Cristoph & Franky Wah – All Night Long
Saturday 17th September – Return To The Depot
14:00-02:30 | DEPOT MAYFIELD
The Blessed Madonna | Denis Sulta | Skream
Mall Grab | Mella Dee | DJ Seinfeld
Krystal Klear | TSHA | Chaos In The CBD | Dan Shake
Josey Rebelle | Eclair Fifi | O’Flynn | Chloé Robinson
Yung Singh | salute | Sally C | Effy | Theo Kottis
Skin On Skin | Bklava | La La | Eliza Rose | Ahadadream
Kessler | Interplanetary Criminal | SUCHI | NIKS
Krysko | Gina Breeze | Aletha | Aisling | Zutekh DJs | Joe Motion
Friday 23rd September – Metropolis 20th Anniversary
20:00-04:00 | DEPOT MAYFIELD
Chase & Status (DJ Set)
Andy C + Tonn Piper
Dimension (DJ Set)
Kings Of The Rollers & Inja
North Base b2b Mark XTC b2b Nicky Blackmarket & Millz
Camo & Krooked b2b Friction
Voltage b2b Turno b2b Hedex
AC13 b2b Disrupta b2b Basstripper
Benny L b2b Randall b2b Bladerunner
Alcemist b2b Tsuki
Goddard b2b Vibe Chemistry
Gray b2b Kara b2b Aries
Ej Kitto b2b Anais
Bou & Haribo
Souped Up Showcase: Serum | Mozey | Dutta
This Is: Inja
Start The Vibe: Sub Zero | Original Sin | Taxman
T>I b2b Limited b2b Kaz
Ama b2b Natty Lou
Saturday 1st October – WHP Presents Welcome To The Warehouse
19:00 – 05:00 | DEPOT MAYFIELD
Joseph Capriati | The Martinez Brothers | Loco Dice
Kink | East End Dubs
Syreeta | Layla Benitez
Seth Troxler | Enzo Siragusa
Chris Stussy | Adam Port | Jaden Thompson
Lauren Lo Sung | Kellie Allen
Archie Hamilton | Toman
Oden & Fatzo – Live | Cici
Friday 7th October – The Ape Birthday
20:00-04:00 | DEPOT MAYFIELD
Craig David Presents TS5
Rebel Clash & Liam Bailey
TQD (Royal T, DJ Q & Flava D)
Girls Don’t Sync
Fabio & Grooverider
Randall b2b Hype
Chimpo & Salo
Bryan G b2b Jumping Jack Frost b2b DJ Die
North Base b2b Banner b2b Disrupta
Yazmin C b2b Jade Louise
Friday 11th November – SJM Concerts & WHP Presents Sonny Fodera
Special Guests TBA
For further information visit the WHP website here. Images from The Warehouse Project on Facebook.
The post The Warehouse Project reveals first wave of parties for 2022 season appeared first on The DJ Revolution.
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